I was coming back from a meeting last week and passed by the flagship Greenhouse Juice Co. just off of Yonge street, and got their recipe for Gingerbread cookies. Now my home smells like heaven and I have treats to share with my friends.
The holidays are a tricky time for many people. Not everyone has somewhere to be when the carollers are singing and the lights are twinkling, or where they do spend their holidays isn’t particularly peaceful. I missed my old friend Gray yesterday (having watched the beautiful Heisenberg at CanStage, which made me wholly reevaluate my minimalist-set-thumbs-down stance of yore), and remembered how crappy the holidays were always for him. I hope whatever you all do, and whomever you’re with, that you feel content. Much love to you all.
You put a horn section in your tracks, you win. ‘Nuff said.
Is this the coolest thing you’ve ever seen or what?
Is there anything as exhilarating as live theatre? My mind is blown each time I experience 2+ hours of flawlessness, devoid of broken ankles, flubbed lines, or coughing fits. John and I took a chance and waited outside the Apollo Theatre to see if any of the sold out run tickets would somehow make their way back to the Box Office and into our hot little [tin roof] hands, and they did indeed. A young student whose friends could not go passed to us absolutely fantastic seats – and John can now die a happy man, having seen the most naturally beautiful woman of our generation – that would be Sienna Miller, of course – in the most seductive performance he’s seen from her to date. There’s this tomboyishness about her mannerisms and her gait that makes it impossible to take your eyes off of her, and her acting was superb. Colm Meaney’s Big Daddy I hated with all my soul (which just confirms what an amazing job he did) and the set – ah again, those glorious set designers – was great.
Try to see it, somehow.
What do you do when you love theatre and you have four nights alone in New York City?
You binge. Oh baby, you binge, on theatre and on food (and it’s also partly a trick question, because you’re never really alone in New York City).
Night 1: Grabbed a great last-minute ticket to 1984, and since we’re in a dystopia and times are tight, 99¢ pizza. My interest in seeing this show was mainly to see Tom Sturridge (whom I loved in American Buffalo), Olivia Wilde (whom I’ve met in person at Artists for Peace and Justice events and really like, so I wanted to applaud her in her Broadway debut), and the fact that I loved the book. I quite enjoyed the play, but it was really violent and had tons of strobe effects, which distracted me from the story.
Night 2: Despite everyone telling me I didn’t stand a snowball’s chance in hell of getting any kind of rush seats to it, I actually got a fantastic last-minute ticket to see Hamilton, and in the process met the two sweetest Puerto Rican ladies in line that couldn’t have been prouder of Lin-Manuel Miranda. This show truly is everything that everyone says it is – I’ve never seen the public this happy and energetic at the theatre (ok, maybe Book of Mormon was a bit like that). Choreography was mild-blowing. Performances were astounding. There was no weak link. For me, Brian d’Arcy James as King George and Gregory Treco as Burr totally floored me, James for his comedic delivery and Treco for his vocals. Afterwards, starving and singing, I had trainwreck fries at Virgil’s because it’s a medley of everything from everywhere and well… it seemed fitting!
Night 3: Sweeney Todd at Barrow Theatre was fantastic, again, chatted to the box office before showtime and they had “secret seats that they rarely use” that were the only ones not sold, and gave them to me pretty cheap. The play came as a recommendation from the staff at Joseph Leonard, where I popped in for dinner, and darling Drew (who let me sit there way past my welcome and offered tips on great NYC spots) found out for me what the hot ticket in the area was.
Night 4: I thought that perhaps with the luck that I’ve been having grabbing tickets to difficult-to-snag shows that maybe I could see Oscar Isaac in Hamlet at the Public Theatre in Noho. Alas, it was an invite-only opening night event, and not even with my charm could I schmooze my way in. “Don’t you know who my father is?” I joked to the staff. They smiled that smile where you like someone but you’re not 100% sure that they’re not insane. I did see John Turturro in the lobby, and smiled broadly, hoping that it would translate into “you’re fantastic, I love you” without disturbing him during his private time.
I have much respect for Apple, by the way, for adding a theatre mode to the Apple Watch that minimizes disturbance during performances. I need to talk myself out of a snarky remark whenever I see a theatregoer activating their phone screen when the house lights are dimmed, so this is at least a nice gesture (although fifty bucks says no one ever remembers to actually enable it).
A small lobster meal at Lobster Place at Chelsea Market. Have been eyeing these babies every time I’ve been there, and resisted the urge. This time I treated myself, and as I sucked every last morsel out of every foot, crevice, and antenna, passersby looked at me with genuine amusement.
My flight home was interesting. Trump had shut down the airspace around NYC to fly to a golf game in the afternoon, so flights were completed messed up. Mostly cancelled, though some delayed, but basically no airline could recover afterwards, since once a chunk of day goes, delays just cascade down and it all falls apart. Newark International was complete chaos, filled to the brim with seething, self-important travellers, and in my calmness I did manage to somehow get hooked-up as a standby passenger on the last flight out (at 23:30, landing in Hamilton, which had me home at 3am). In all the screaming and threatening and customer service calls and apologetic service personnel that madly swirled about what I noticed was this: the way people come together and connect in times of disruption can be awesome. Completely overlooking the jerks, the remainder of folks kind of laughed it off, knew there was little that was in their control, sat together at the airport restaurant, had some drinks, met strangers, compared notes on where they were going, where they had been, where they were from. Typically, it’s such a cold, solitary environment – everyone in their world, on their phones, having somewhere to be, in their bubble. In this situation, there was nothing to do but wait and see, so people put their phones down (which contained wholly inaccurate information anyway) and chatted, met each other, commiserated. What stood out to me was people helping each other, comparing notes on what information they had, which flight was cancelled and which wasn’t, where to get some food, where they could charge their phones, where free coffee and water was, what remaining flights still had seats. Years and years ago, I met a man with his wife in a pizzeria in Tuscany, and without my asking for advice on life or anything, he looked at me and said “remember this one thing: always talk to people”.
That’s always stayed with me.
When I was a kid, I was exposed to a lot of music. I had to learn how to speak English with Roxette and Samantha Fox. Mom encouraged me to learn how to play the flute as a teen to train my messed-up lungs, something that only became cool once I was given a recording by Jethro Tull (I remember actually the teacher wanted me to play double bass when we were picking instruments, because of my height. My response? To pick the smallest instrument available). Mom kept her Pink Floyd and Led Zeppelin LPs close at hand, all her Jean Jarre cassettes in a shoebox, and my stepdad had his Gordon Lightfoot and his Anne Murray in plain view at all times. I liked this juxtaposition in them, her with her untz untz untz and he with his spling spling spling.
Last night Jean Jarre performed his first Canadian show, at the Sony Centre, and I thought it’d be the perfect Mother’s Day gift. And you know what, it totally was. I watched my mom morph into a teenager during this time – she was feeling kind of crappy and started the evening off a little softly and slowly – and by the end of the night she was jumping near the front of the stage screaming “We Love You” at this energetic 68 year old who waxed poetic about Snowden and privacy laws and the state of the world. We got to chatting with a girl who grew up in South Africa about how popular JMJ was there during the 70’s and 80’s, and how baffled she was when she moved to Canada and realized that no one knew who he was.
The Poles came out last night in abundance, they have a deep affection for JMJ and remember his support during turbulent times, a gesture of goodwill that they are clearly committed to repaying. They even made him an honorary citizen of Gdansk.
Guys. Laser harp. Come on.
It has been a whole month and I haven’t written at all about New Orleans! The whole purpose of this blog was to note down my adventures so that I don’t forget, and I’m forgetting to not forget! So let me see here, what can I tell you about this beautiful and musical town?
Well, no surprise here, but there’s music everywhere. No need to reserve at places to go listen to music live, there were Big Bands all over the streets, so the music is inescapable, even when you step away from the French Quarter. Frenchman Street (which I actually liked better than Bourbon) was just littered with musicians. We did manage to see a fantastic show at Snug Harbour that was worth every penny, and John almost choked on his Skittles when he recognized the trumpet player that was playing the SNL Sturgill Simpson show recently. From the brunch time band playing at the parkette beside the French Market, to Ackroyd’s House of Blues, the Musical Legends Park, and Irvin Mayfield’s playhouse (sans Irvin himself – he’s moved on, folks!), this town does not fail to deliver the tunes. It’s uplifting and glorious.
As is the food. If you want fancy, this town’s got plenty fancy, but we kind of opted mostly to eat at the comfort local food joints instead. Cafe du Monde, naturally, for the beignets, ACME oyster house for the ridiculous baked oysters and various po’ boys, Cochon for everything (especially the Bourbon, oh lawd!), Superior Seafood for the raw oyster bar, Willa Jean and Ruby Slipper for breakfast, the Roosevelt for the Sazerac (ok, maybe we’re a little fance), Arnaud’s for a night cap, and all the food markets for snacks in between.
As for fun things to do, it was our first trip, so we had to do the cheesy stuff – Anne Rice’s house on First Street, all the Streetcar Named Desire / Tennessee Williams stops, Audubon Zoo, the Lafayette Cemetery, Natchez Steamboat, the St. Charles Old Streetcar Lines and of course the French Quarter with Bourbon street, Louis Armstrong Park, St. Louis’ Cathedral, all the Marie Laveau (the voodoo Queen of New Orleans) Shops (there are many!). New Orleans architecture is incredible, it’s got those very particular columns and iron exteriors, and the homes in the Garden District are something out of this world. It’s enough to just wander and gawk.
I have to gawk back. Go bawk. Whatever. You get it.
Theatre lovers living on a dime take heed – Factory Theatre has launched their Toonie Tuesday preview extravaganza. Now there’s seriously no excuse to not go and enjoy these amazing Canadian productions.
Last night Mom and I saw David Yee’s “Acquiesce”, a play about a young man who must go and bury the father he barely knew in Hong Kong, and all the emotional turmoil that the experience brings up. I really enjoyed the performances, and for Mom and I it was good catharsis, as it deals with issues of abuse (Mom’s father, though a “good man”, was physically and verbally abusive to his family), the anger that comes from abandonment (I know my dad, but I don’t know my dad. I’ve seen him a handful of times in my life. My memories of him include a pizza and ice cream trip when I was a child and him being really angry at me for putting on nail polish before falling asleep and trying to kill everyone in the house with poisonous vapours) and the frictions that arise from straddling two vastly different cultures your entire life.
I have to give a giant thumbs up to the crew, who put together a fantastic modern, functional set, eerie musical interludes and terrific props and effects. Wonderfully done.
Playing now until March 13th at the Factory, this beautifully uncluttered production of David French’s play left me in tears. Kawa Ada (whom I’ve already encountered this season in Bombay Black) is just breathtaking, as is his partner, the wonderful Mayko Nguyen, plus a remarkable supporting musical role by Ania Soul. Run folks. Run. The Globe and Mail reviewer loved it so much he bought himself a second ticket.